Jazz in the 19th Century Essay - 538 Words

Jazz in the 19th Century As the United States entered the 1920s it was not as unified as one might think. Not one, but two societies existed. The Black society, whose ancestors had been oppressed throughout the ages, and the White society, the oppressors of these men and women. After emancipation the Whites no longer needed the Blacks, but were forced to live with them. The Blacks despised the Whites, but even so they became more like them in every way. Even though these two races had grown so similar over the past century and a half, they were still greatly diversified. One aspect of this great diversity was the difference in music trends. The White society was still in love with the European classical music. The Blacks on†¦show more content†¦They sang their songs while at work in the fields. This original music is called the old blues. The blues became the symbol of the new American race, and the home of this music was New Orleans. New Orleans had been a melting pot of culture ever sin ce emancipation had freed the slaves, but more was being mixed than just culture. Music from the Blacks was blending with the Whites music, and creating an entirely different form of music, which had never been seen before. This early form of Jazz began to be heard in the North and was developed further with the help of technical devices. Blues music had become more than just a symbol of the slaves, now it was becoming a symbol of America. The reason for this was because jazz and blues could be played by anyone from the whitest white to the blackest black. By this time White Americans could be heard playing the true jazz and blues. The true jazz was music played by the black man, because it was his music. Even white jazz players were beginning to be famous. Artists such as Paul White man and O.D.J.B. were whites who began to play jazz. Music played by these people was really the first jazz that northerners were exposed to, and because of this black northerners began to thin k of jazz as a white dilution of blues. Jazz music used the same instruments as ragtime did except for the piano. The piano was not brought into the pictureShow MoreRelatedRagtime And Blues : The History And Their Influence On Jazz1581 Words   |  7 PagesRagtime and Blues: The History and Their Influence on Jazz In the city of New Orleans, from parades to clubs and from weddings to funerals, one element usually remained constant throughout all these events: the music that permeated the air. At most of these occasions, a band often performed as entertainment, providing many opportunities for musicians in the area to work. 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Organizational Behavior Employee Engagement - 1812 Words

Amy Young Dr. Evelyn Hendrix Organizational Behavior 7 January 2016 Employee Engagement Definition Let’s face it; every employee has their own personal reasons for showing up to work every day. They may be supporting a family or buying a home; they may be saving for that trip to Europe. In some cases, they may just be seeking knowledge or experience to add to their resume so they can apply for their dream job in a few months or years. Employers and Human Resource Managers may never know the reasons potential employees apply for jobs in their organizations. For many, a job, any job, is just a way to support their hopes and dreams or current lifestyle situation. They go to work every day for the paycheck and not because they feel a connection to the company paying them. It is the responsibility of Human Resources and management to engage employees. To do this, managers and organizations need to think of their employees as assets – their greatest assets. 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The Cunning of Iago in Othello Free Essays

So Iago is this extremely interesting, cunning, evil character. But over all of these trait’s Iago’s jealousy is what drives him to scheme and plot to take down othello and weave his elaborate web of destruction. Does anyone know exactly when in the play does Iago’s intense jealousy come into play? In the very 1st act scene one iago and roderigo are arguing in the streets and iago starts to rant about his hatred for Othello and how Othello passed him up over cassio for promotion to ancient. We will write a custom essay sample on The Cunning of Iago in Othello or any similar topic only for you Order Now Iago had an enormous amount of battle experience, experience that Othello has witnessed firsthand â€Å"And I, of whom his eyes had seen the proof At Rhodes, at Cyprus, and on other grounds Christian and heathen, must be belee’d and calmed† while cassio has no battle experience and only knows the theory of leading men into battle, â€Å"I have already chose my officer. And what was he? Forsooth, a great arithmetician,One Michael Cassio, a Florentine(A fellow almost damned in a fair wife)That never set a squadron in the field,Nor the division of a battle knows More than a spinster—unless the bookish theoric, Wherein the toged consuls can propose As masterly as he. Mere prattle without practice is all his soldiership. But he, sir, had th’ election he has no clue how to put into practice this theory and is therefore unqualified according to iago. Later on in the play iago shows his jealousy of Othello because Othello is rumored to have slept with his wife toIago becomes jealous of cassio getting the promotion over him so he devises a plot to get revenge. How to cite The Cunning of Iago in Othello, Papers

Shylock is being portrayed as the victim or the villain in The Merchant of Venice Essay Example For Students

Shylock is being portrayed as the victim or the villain in The Merchant of Venice Essay The Merchant of Venice, deals with issues that have as much of a relevance, if not more, in todays society than they did in the late fifteenth and early sixteenth century: money, discrimination and love between people that arent supposed to fall in love. Attitudes in the sixteenth century towards Jews meant that any Jewish character would have been expected to conform to a stereotype, like Marlowes Barabas in The Jew of Malta, a conventional comic play. Somebody in todays audience, would see Shylocks character flicker between being seen as a villain and being seen as a victim throughout the play, whereas people in the Elizabethan era and for at least 200 years after, would have seen Christianity as the superior religion and therefore Shylock would almost always be portrayed as a villain. Structurally speaking, The Merchant of Venice is technically a comedy, but the way in which the initially typical, evil character, in this case Shylock, can be seen to be victimised on several occasions throughout the play makes it something of a problem play. If Shakespeare had stuck more rigidly to the conventions of a typical comedys plot, then it would follow a storyline less like to be interpreted as having tragic elements. The other characters in the play also have more ambiguous qualities, which impact on the steady melodic flow of events that take place throughout the play. The play is also strange in that the characters that appear dominant through cross-dressing, maintain that authority when returning to their standard roles. This is unusual and uncommon amongst the expectations of an audience of that time period. Shylock first appears in The Merchant of Venice in act one scene three where he is seen negotiating the terms of a loan with Bassanio. Shylock is a Jewish moneylender from the Ghetto who makes his fortune lending people money and charging interest. From this first encounter with the character, we can immediately deduce some interesting character traits in Shylock. In this short section of text and his connection with Bassanio, we are able to uncover a sly element to Shylocks character. At first he seems cautious to lend Bassanio money because he is unsure if he will pay back all the money with the desired amount of interest. That is however, only up until the point at which Bassanio lays down Antonios name as surety for the loan, For the which Antonio shall be bound. At this point Shylock has the surety he needs but instead of granting the loan immediately, he continues to stall and ponder upon the subject. We can see from this that his general intention is to keep Bassanio guessing and unsure of his fortunes for as long as possible. Next Shylock asks to speak with Antonio, and when he appears, he speaks in a sudden aside telling the audience what he thinks of Antonio. I hate him for he is a Christian. His overall comments in his aside are indicative of his hatred towards Antonio. He goes into great detail over the grudge he bears Antonio, which defines him almost immediately as a villain. Although Shylock delivers to the audience a comprehensive list of the elements of Antonios character he despises, his only real justification for his hatred is Antonios religion. The fact that he says this in an aside shows that Shylock is cowardly as he is unable to speak to Antonios face but instead chooses to tell the audience his feelings without actually speaking to Antonio so as to avoid having to confront his bigotry. For this reason, the audience are likely to see him as a villainous character, intended to be bitter and relentless. Later on in the scene however, after Shylock has agreed with Bassanio the terms of the bond (three thousand ducats for three months to which Antonio shall be bound) we see him talking to Antonio as if he never agreed to the terms and as if he was still awaiting assurance from Antonio. He speaks of Jews in a general manner and explains some of the ways in which Jews are individually persecuted on a day-to-day basis. This is a very powerful speech in terms of Jewish persecution because, although Shylock is speaking about Jews to reflect on his own sufferings, it also becomes apparent that Shylock in a very indirect way, is speaking on behalf of all discriminated minorities throughout history, and this gives him a real sense of power and authority. There is continuity between the way that Hitler used his hatred for his people in the Jewish community, to present himself as a good Christian, and the way that Antonio expresses his faith. Antonios sub-conscious expressions make it obvious t o a modern audience that his own understanding of being a true Christian, comes from his hatred and abuse of Shylock rather than any real generosity or signs of mercy. Jewish Holy Scriptures lay emphasis on the necessity of peace and tranquillity within society, which is hugely contradicted by Shylocks eagerness to reap his revenge on Antonio so much so that he suspends all moral judgement in the situation. This fits in almost parallel to the way that Christians in the Twelfth century, expelling Jews from England, inflicted their cruel and harsh persecution on the Jews contradicting all their views of mercy and morality. When Shylock says, Suffrance is the badge of all our tribe. he is making a statement that looks forward in time from Shakespeares day as much as it looks back, from the point of a modern-day audience. His sense of suffering as a part of his religious identity is something that can be recognised as much today as then. Shylock is in a way a very domineering character, which is justified in his dedicated faith in his religion much more so than any of the other characters in the play, who are far more hypocritical. This is very commendable and is one of the only points in the play in which we can actually see Shylock behaving in a more righteous manor than any of the other characters. The Carceral Foucault's Discipline and Punish EssayHath not a Jew eyes; hath not a Jew hands, organs, dimensions, senses, affections, passions; fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer that a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? At this point in he play we feel immense pity for Shylock who has faced so much inequality and intolerance from the Venetian people. However this pity soon turns to anger because no sooner has he finished saying how he has been so poorly treated, he begins talking about taking revenge. He says to Solanio and Salerino that if a Jew did wrong a Christian, the Christian would take his own brutal revenge accordingly so because a Christian has wronged him, he will do the same. By this point in the play, Shylocks character has been revealed so fully that the audience has seen almost all of the different aspects of his personality. This is the point at which Shylock labelled firmly as a victim or a villain once and for all. However the scene had been performed, Shakespeare would have left a lasting impression of Shylock on the audience be it one of a villain or a victim. In act three scene three, Antonio meets Shylock in the street just before the court case is about to begin. It is a short scene in which Shylock refers in conversation with Antonio, to the situation in which Antonio called Shylock a dog. Here again we feel that Shylock has been cruelly mistreated by the Christians. He is now able to enjoy his triumph over Antonio. Shylock explains that in the Biblical teachings, mercy was associated with the followers of Jesus, the Christians. But in Venice Shylock was an outcast and no one would show him mercy. He tells Antonio to expect no mercy from him. He says, Thou calldst me dog before thou hadst a cause, But since I am a dog, beware my fangs. He cant wait to take revenge on Antonio so by saying this he is trying to get his teeth into Antonio before his time comes in the courtroom. Shylock is portrayed very villainously here because, although he is describing his persecution which should in theory make that audience pity him, he says that if he actually is all of the foul, dirty things he, and all of the other Jews, have been called, then people should be wary of those things because they might just come back round and take their revenge. The final place Shylock appears is in the trial scene, act four scene one, where he is talking to the Duke. The Duke is trying to persuade Shylock that he has made his point and that the trial doesnt need to take place to prove any points. To this Shylock replies with a long speech commanding the Duke not to question his motives but accept that he will take what is rightfully his. In my opinion, Shylock is very commendable for his eagerness to remain above the temptation to let Antonio free after he is offered a vast amount of money to do so. Throughout the duration of the trial, Shylock deliberately refuses to show Antonio any kind of mercy, irrespective of the fact that he is warned many times that God will not take mercy on the day of judgement on any one who is unable to show mercy to his fellow man on earth. This makes us hate Shylock even more because it shows that he is willing to do risk everything to have the opportunity of killing the man he hates most in the whole of Venice. Towards the end of the scene, Portia, dressed as a lawyer, informs Shylock of one fact that had he been aware of it in the first place, would have dramatically changed his decision and the whole course of the trial. She said, that as he was a Jew, he was an alien in society and any alien that plotted against a true citizen of the state, a Christian, would be punishable by death, with his life in the hands of the Duke who determines what is punishment for a crime. In Shylocks case his individual punishment for conspiring to harm Antonio, was worse than death. He would have to give up half of everything he owned to his daughter and her new Christian husband. The other half had to go to Antonio, and Shylock was to become a Christian for the remainder of his life. This is the final point in the play where we feel pity towards Shylock because of the punishment he has to bear. This is opposed to the feeling that he got what he deserved as far as a punishment is concerned for all of the thi ngs he has done to numerous characters throughout the play. Shylock is the most memorable character in the play because of Shakespeares excellent characterization of him. Shylock is in some ways presented as a typical scapegoat in the play, and he is easily portrayed as an evil character because he stands in the way of love, and so desperately seeks brutal revenge on Antonio. Shakespeares manipulation of our feelings for Shylock is the one element that makes the play what it is. He gave Shylock the ability to make us hate him viciously and deeply sympathise with him at the same time. In todays society, where religion is on the whole less important to the lives of most people, I believe that sympathy for Shylock would prevail, as an audience would recognise that Shylock is subject to human frailties. In Shakespearean times however, Shylock would have been afforded no such pity. Religion structured society and those falling on the wrong side were considered to be in the wrong at the outset. Consequently, without doubt, Shylock would have been regarded as the villain of the piece.